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MetaTune gives you full control over the key/scale used for the pitch‑correction process.If you don’t know what the key/scale combination is for your vocal/project MetaTune can also help you work out which one will work best. Notes within the currently selected key are helpfully highlighted in purple and you can also toggle notes on/off using the keyboard, if you want to manually include or exclude specific notes. Tuning also defaults to the chromatic scale, but another panel, this time opened from the bottom of the GUI, allows you to select a different key/scale combination for MetaTune to use as its pitch targets. MetaTune defaults to using standard concert pitch (A=440Hz) but this can be changed using a slider at the bottom right of the GUI. Set a fast Speed and a high Amount, for example, and you’ll hear the sort of seriously exaggerated pitch‑correction that puts you into Cher, T‑Pain or Trolls territory lower amounts and, particularly, slower Speeds will sound rather stealthier. On the main GUI, you’ll find the familiar Speed and Amount controls, which do exactly what you’d expect: they set the speed at which notes are nudged towards the desired pitch, and the degree of correction. Clicking a preset name on the GUI’s top toolbar will pop open a full preset panel, in which there are various creative and corrective options to choose from. MetaTune’s presets include useful options for deliberate effects, subtle pitch‑correction and vocal doubling.MetaTune’s GUI is clean, attractive and easy to navigate. It’s a low‑latency, real‑time pitch‑corrector that its designers say is not only capable of both subtle pitch‑correction and creative pitch‑based effects, but can do both really well.
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MetaTune is available to buy outright - in which case, it’s priced somewhere in the middle of the mainstream pitch‑correction competition - but it’s also available as part of Slate Digital’s All Access Pass subscription service, which packs a considerable punch for a modest monthly outlay. Importantly, it has also been designed to be just as easy to use as a regular pitch‑correction plug‑in. To that end, it offers some novel and interesting pitch‑correction features, as well as a useful vocal widening/thickening effect, of which more later. This is where Slate Digital’s new MetaTune plug‑in comes in.
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For instance, it can be tricky to find a setting that handles both the note onsets and the natural vibrato in sustained notes equally well. Real‑time plug‑ins are generally a better option for the more creative end of the pitch‑correction spectrum, but when it comes to more transparent correction they can have their downsides. The other approach to tuning is to use a plug‑in that performs its pitch‑correction in real time and there are now plenty of these to choose from, including those that come bundled with most of the leading DAWs.
#Slate digital free plugins Offline#
But getting the best results from them can take time and require considerable skill, and, while it’s certainly possible to use such tools for more creative pitch‑processing effects, that’s not really their forté for one thing, since they work offline they obviously can’t be used during a performance, only after the fact. Have Slate Digital perfected real‑time pitch‑correction?įor ‘stealthy’ pitch‑correction that’s designed not to be obvious to the listener, offline tools such as Antares’ Auto‑Tune running in its Graphical Mode, or Celemony’s Melodyne are incredibly powerful tools.